It looks like these two are pretending to be Osprey. I do that, sometimes. You might see me circling the tripod in a widening gyre, arms extended, happily floating on imaginary thermals.
Do Osprey do that, circles and such?
Whatever. Someday's I'd pretend I was a city pidgeon just to not be earth bound. Next time, maybe, I'm going to pretend to be a goose pretending to be an Osprey. Ought to be good for a midday laugh... Wonder where I'll go?
Sunday, February 20, 2011
Wednesday, February 16, 2011
Friday, February 11, 2011
Box Canyon Pool
Here be the last photograph from my recent trip to Ouray, CO. Box Canyon Falls is a local tourist attraction, but it's free during winter, which fits my budget. One cloudy afternoon, I was chasing an abstract composition along the lower box canyon trellises. Deliberately moving slowly because ahead of me was a group of folks playing with cameras, too. While I waited for them to do whatever they were taking so long to do, I noticed all of the colour in this grotto at the bottom of the falls. Normally I use a tripod to manage my pace while working, this day I was gifted with the forced patience that comes from understanding that mountains (and tourists) move in a geologic and glacial timeframe. This canyon sees very little direct sunlight in the winter, but that frozen fill flash is just enough to bring some detail out of the shadows. I'm also a sucker for that wonderful turquoise against grey.
Wednesday, February 9, 2011
The Irony of Winter Sun
Blue Mesa Reservoir is Colorado's largest body of water and the largest Kokanee Salmon fishery in the United States. I've always been curious how places get their names. To my mind there ought to be a "Blue Mesa" close by, maybe there is and I just haven't found it. Maybe it's from the abundance of blue light in the area, certainly a striking feature. I almost drove through this area without stopping because of the huge exposure range. Then I started to think of it as a challenge.
Standing on the hillside in a full wind attarcted to the quality of blue in the water, I started shooting for the ice and wave patterns, but kept looking up to the hill in the background. So, I shivered left and right until finding this large textured ice in the foreground thinking it might balance the larger scene. The square format is an anomaly around here, to be sure. But this composition had to be shot telephoto to maintain the compression, which meant two exposures to maintain the foreground. There's something added by that compositing scheme which allows the photo to be considered in several parts as well as the whole. My eye yo-yos up & down when I look at this, much like when I was standing there.
Standing on the hillside in a full wind attarcted to the quality of blue in the water, I started shooting for the ice and wave patterns, but kept looking up to the hill in the background. So, I shivered left and right until finding this large textured ice in the foreground thinking it might balance the larger scene. The square format is an anomaly around here, to be sure. But this composition had to be shot telephoto to maintain the compression, which meant two exposures to maintain the foreground. There's something added by that compositing scheme which allows the photo to be considered in several parts as well as the whole. My eye yo-yos up & down when I look at this, much like when I was standing there.
Thursday, February 3, 2011
Gem of the Rockies
Ouray Colorado under a mostly clear night sky. Took about a half an hour to figure out how to make this shot happen. I have seen a lot of photos from this overlook, but none that really captures that special feeling of winter in a mountain town. I know there are a lot of hotels here, but it still seems like someone has left a light on for me while I was away. How many light sources can you count?
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